অভিজ্ঞতা

Art history, Curation, Editing

বায়ো

Yve-Alain Bois is Professor of Art History in the School of Historical Studies at the Institute for Advanced Study in Princeton. He has written extensively on 20th century art, from Matisse and Picasso, Mondrian and Lissitzky to post-war American art. A collection of his essays, মডেল হিসেবে পেন্টিং, has been published by M.I.T. Press in 1990. With Benjamin Buchloh, Hal Foster, and Rosalind Krauss, he co-authored আর্ট যেহেতু 1900 (Thames and Hudson, 2004). He co-organized the 1994-5 retrospective of Piet Mondrian in The Hague, Washington and New York. In 1996, he curated the exhibition “L’informe, mode d’emploi” with Rosalind Krauss at the Centre Georges Pompidou in Paris. The book accompanying this exhibition has been published in English under the title Formless: A User’s Guide (Zone Books, 1997). Other exhibitions that he curated includeMatisse and Picasso: A Gentle Rivalryat the Kimbell Museum of Art (Fort Worth), for which he also wrote the catalogue (Matisse এবং পিকাসো, Flammarion, 1998); “Ellsworth Kelly: Early Drawings” at the Fogg Art Museum (Cambridge, Mass), which traveled to five other venues in the US and Europe (March 1999-August 2000);“Ellsworth Kelly: Tablet,” at the Drawing Center, New York (May-June 2002); and “Picasso Harlequin” (October 2008-February 2009) at the Vittoriano in Rome. Bois is one of the editors of the journal অক্টোবর এবং অবদান সম্পাদক Artforum. Among other projects, he is currently working on the catalogue raisonné of Ellsworth Kelly’s paintings and sculpture, the first volume of which was published by Cahiers d’art (Paris) in 2015. He also edited the catalogue raisonné of Matisse’s paintings in the Barnes Foundation, published in 2015 by Thames and Hudson.


বৈশিষ্ট্যযুক্ত চ্যানেল


From Matisse to Mondrian: A Conversation with Yve-Alain Bois [ENG]
Athenaeum Review